Tuesday, June 16, 2009

Summer

P6130019

It's been quite a while since I've posted to the ol' blog. The music consumption has been cut drastically as I am saving up for a new computer so I guess there aren't really any new albums to recommend. I know the music press looks to me for all the latest choice cuts and all but I suppose they are just going to have to wait. Jesus. Anyway, when not at work 90% of my time is spent either by swimming, grilling, or going to see shows. Peace out.

Wednesday, May 13, 2009

Love it and Leave it

Silverchair
"Come on kids, these guys look like Nirvaner! Buy, buy, buy!"

Now, I love the music that came out of the 90s! I loved all of it: alternative, metal, electronic/rave, rap, and hip hop. It's what I grew up on. I feel that the 90s, for the latter three genres, was a time of great innovation and progress because they were basically brand new and weren't depending on too many past reference points to develop their sound. At least there was less sentiment when considering influences. Electronic music also had the advantage of having new inventions, toys and instruments coming along with regularity with which to work. I think Alternative, to a large degree, was the rockist 60s remade for an irony-obsessed, disconnected youth who weren't so much uprising or reacting against the status quo or the glossy pop factories of the 80s, as they were more simply bored to death with it. The anger and disillusion was there but it was a more internal and private affair as opposed to the hyper-aware (culturally and politically) rockers, punks, and postpunkers that broke out in the late seventies and early eighties. When the nineties came around everyone decided that looking like you were having a good time, much less dancing, was not cool and, opposed to past incarnations of bona fide guitar music, discussion moved from the cultural and political to the internal and psychological and any semblance of groove was removed from the music. Now don't get me wrong, I loved "alternative" music and the movement produced loads of great music. Like any great scene though, the music factories eventually caught on and imitation and market saturation eventually lead to its demise...and what an ugly demise it was. The (Korn filled) shit leftover from alternative's dying breaths was some of the worst music we've had...I think anyway. Sometimes I think Prozac nation, errr, America is still a bit hungover from 90s and as much as I love the period, I plan to have little to do with any expected revival of the scene. People are just now uncrossing their arms and swaying to the music just a bit. Anwyay, whatever, here's a take from the Quietus

Tuesday, May 05, 2009

Recommended: The Horrors

The Horrors
The Horrors - Primary Colors
This isn't going to be a review as I am only going to give this album a pretty high recommendation. On paper I would normally have nothing to do with a band like this. Jesus, just look at them. My fingernails aren't painted black and I'm not a depressed 14 year old girl so why would I care about this? Yeah well Ben Hewitt pretty much has it pegged when he asks, "What's the auditory version of rubbing your eyes in disbelief?" Believe it or not, this is good stuff.

The Horrors

No, I did not buy this at my local Hot Topic. Ok, I'll admit there's a rather gushy soft spot in my heart for goth kids.

Thursday, April 30, 2009

EMALKAY

Emalkay
So I think I might be going to see UK dubstepper Emalkay at the Flamingo Cantina this Saturday! It's been a long time since I've been to a dubstep show so I'm kinda looking forward to this. I'm fairly certain I won't be able to find anyone willing to attend this show with me but I guess it beats sitting about the front stoop all night. I don't own any Emalkay but it sounds fun enough. How have American MC's still not discovered dubstep?


Go to Beatport.comGet These TracksAdd This Player

NBA Playoffs, Round 2

Dirk
Did you ever see the scene in season 3 of The Wire where Cutty approaches the girlfriend of a drug dealer, who is suspect of stealing profits from the Barksdale gang, and very unexpectedly and very forcefully full-hand slaps the enamel off her teeth? Well, that's what the Denver Nuggets did to Chris Paul and the New Orlean's Hornets. Sigh. My other team, The Mavericks, get a chance to spar with the Nuggs next. I would like to think that Dirk is listening to "Bring the Ruckus" or something comparable in the picture above, but I'm sure it's probably a Hasselhoff tune...which is cool too, you know, whatevs. Anyway, I can't get enough of the Buzzcocks recently. The End.

The Buzzcocks

Wednesday, April 29, 2009

The Original Birdman

The Birdman

Monday, April 27, 2009

.wav your hands in the air

This song is for you

Friday, April 24, 2009

Let it rip - I love coming up with bad blog titles!

Rip It Up And Start Again
So I've been reading/obsessing over Simon Reynold's Post Punk bible, Rip It Up And Start Again. I hardly ever read non-fiction on music but Reynold's book has been highly informative, well written, and very entertaining. Post Punk has been a genre that I've regretfully neglected to a large degree over the years and have had my eyes opened to some pretty amazing tunes while working my way through the book.

Anyway, Henry Rollins digs the book as well and is dedicating his upcoming radio show to Post Punk. I believe the show airs tomorrow night and you can check it out on KCRW's website. I can't wait to check the archive broadcast Monday morning. Maybe I'll read Henry's latest book next.

Gang of Four